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I am an interdisciplinary artist and puppeteer working between Budapest and Berlin. I earned my Master’s degree in puppetry from the University of Theatre and Film Arts in Budapest.

Fellowships
CEC ArtsLink International Program
2026, New York, USA
Rote Fabric AiR
2026, Zürich, Switzerland
Stiftung Berliner Leben, URBAN NATION Fresh A.I.R.
2025, Berlin, Germany
Magyar Művészeti Akadémia (Hungarian Academy of Arts)
2024–2027, Budapest, Hungary
Shinehouse Theatre AIR
2024, Taipei, Taiwan
Aichi University of the Arts
2023, Nagoya, Japan
Practice
Following my graduation, I spent several years leading participatory theatre (TiE) for children across Hungary, providing space to explore complex issues like mental health, bullying, and healing through creative expression. I have also worked for many years in the theatre and film industries as a performer with various companies. My recent artistic practice combines puppetry, new-media installation, and performance and I examine radicalisation through digital and written propaganda, focusing on how autocratic language shapes collective and individual mindsets, striving to raise critical awareness regarding the invisible mechanisms of manipulation. I have lived and developed projects in Japan, Taiwan, and Germany, and in 2026 I will expand my vision in Switzerland and the United States.
Through material experimentation and local, workshop-based research, I explore how urgent social and political issues can be articulated through specific material processes. I primarily work with recycled materials such as paper and plastic, and challenge traditional tools and media by reusing and recontextualising them in contemporary ways. In Hungary, I am currently developing socially engaged projects that merge puppetry with speech and auditory development for hearing-impaired children, highlighting my dedication to community-driven art. I also maintain an ongoing research practice on the Japanese puppetry technique Bunraku, both theoretically (materiality and emotional manipulation) and practically (puppet construction and visual abstraction). I aim to bring diverse fields together, compressing them into multilayered artistic forms dedicated to visualizing abstract political concepts.
Companies
- AICHI UNIVERSITY OF THE ARTS (JAPAN)
- ARANYSZAMÁR THEATRE
- BARTÓK STUDIO THETARE
- BUDAPEST PUPPET THEATRE
- CIRÓKA PUPPET THEATRE
- DANUBIA ORCHESTRA
- ERKEL THEATRE
- FREIE UNGARISCHE BOTSCHAFT (GERMANY)
- GARDRÓB ART COMPANY
- GRIFF PUPPET THEATRE
- HALLÓKALAND
- HUNGARIAN NATIONAL GALLERY
- JÁSZAI MARI THEATRE
- JURÁNYI HOUSE
- KABÓCA PUPPET THEATRE
- KÖVÉR BÉLA PUPPET THEATRE
- MARGARET ISLAND THEATRE
- MANNA PRODUCTION
- OPEN CASTING AGENCY
- SHINEHOUSE THEATRE, WAN THEATRE (TAIWAN)
- STIFTUNG BERLINER LEBEN (GERMANY)
- TRAFÓ
- URBAN NATION MUSEUM (BERLIN)
Awards & Nominations
- Theatre Critics Award nomination, Best Children’s/Youth Theatre Performance, The Prince Who Longs for Immortality (Budapest, 2022)
- Michel Indali Award, founded by Henrik Kemény, Kolibri Festival, Ágacska (Budapest, 2020)
- Glass Mountain Award, Assitej Biennale, Dot (Kaposvár, 2018)
- GRAND PRIX, Subotica International Children’s Theatre Festival, Lenka and Palkó (Subotica, 2017)
